neo train model

"Not too bullish on the peninsula backdrop..."

The peninsula backdrop was built according to plan and all went smoothly. I was especially proud of the bullnose end I achieved with the use of a ripped length of 2" PVC. But something was not right in little Jimmy's railroad land.

I had fancied the opportunity to see both sides of the layout from the end of the 'blob,' especially to see multiple angles, which would otherwise be very limited on the balance of my narrow shelf design. I wondered if seeing an expanse of the layout from one point might maximize the viewer's overall layout experience, and even suggest a layout larger than its reality.

The backdrop was framed with the traditional 1" x 2" on 24" centers. It extended 4' out from the wall @ 90 degrees and then splayed off at an angle of about 15 degrees for another 8'. It is only anchored at the wall and bench work.?

The 1/8" tempered hardboard was attached with counter sunk  drywall screws, allowing a 6" opening at the top for air circulation. The end was fabricated by slicing a piece of 2" PVC and slipping it over a chamfered 1" x 2" at the end to mate with the hardboard.

It's hit or miss with me for countersinking screws, but this is an example of the finest two I have ever achieved. Hallelujah! Just right and ready for tape and spackle.

Spackled, sanded, primed and painted. The backdrop is good to go... I suppose.

Here's a view from the new entry looking back at the angled backdrop.

But whatever this bullnose backdrop was selling, I wasn't buying. I even went on one of my preferred websites, the Proto Layouts Group, to ask about this. If memory serves me, never a safe proposition, I believe there were multiple viewpoints and a very definite and resounding, "Who really knows?" mixed with a few, "I'm not really sures."

I do specifically recall the esteemed Andy Sperandeo saying that it was easier to photograph on this type than something like a teardrop or balloon. But Tom Patterson of CW&E fame, and Joe Atkinson of the IAIS, provided some photo evidence of their backdrop treatments. Each effectively forced the visitor to discover the layout gradually as they walked around the end of the respective peninsulas.

I was going to noodle with this. Tomorrow, we'll see where it brings me. See you then, and keep those cards and letters coming.